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来自于网络资源KERDEXX79作品集
The Erasmus Bridge
Erasmus大桥
Since its opening in September 1996, the Erasmus Bridge has formed a majestic gateway over the Maas. It was built to connect the ambitious "Kop van Zuid" reconstruction project to the city ministries.
自从1996年九月份开始启用来,Erasmus大桥就在Maas河上形成一个奇特的门户.它是用于连接创造性的"Kop van Zuid"重建物工程和市政大楼.OLB
It is today with its 142 m high pylon a new landmark for the city.
如今,它作为一个142米高的立体建筑物成为了这个城市的一个新地标.};4$^1
Amsterdam architect Ben van Berkel's design broke away from the idea of a simple functional construction.
阿姆斯特丹建筑师Ben van Berkel的这个设计作品是一个简洁功能性建筑的创新
He created a sculptural structure; its planning had to overcome numerous technical, urban development and design challenges. 他创建了一个雕塑化的建筑体,它的设计中必须得超越数多技术城市发展和设计中遇到的挑战.
The asymmetrical construction represents three bridges in one
在这个非对称性建筑的桥中就体现了这三点的说.
A cable-stayed bridge with a main span of 280 m is complemented by an open-side viaduct and a moving bridge.
高达280米的钢索斜拉主体桥嬉构采用的开发式的一套viaduct和一个移动式的桥梁.^
Every day 20,000 people cross the 33 m wide bridge deck which has double tramlines, two-lane roadways as well as cycle tracks and pavements.
每天,有2万多人通过这个宽达33米的桥面,有两个步行道和双向车道用于行驶和走路的说
Architect: Van Berkel + Bos, Amsterdam Execution: Gemeentewerken Rotterdam Light Planing: Lighting Design Partnership, Edinburgh  ETIS, Rotterdam(  Photos: Ing. P. de Vet, Tilburg
Christian Richters, Münster

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该工程的照明理念图

ight played an extremely important role in the plans for this construction.[^
灯光在该建筑中起到了极其重要的角色.g
The architect chose light blue as the colour for the bridge. This blue which he affectionately called "baby blue" makes the bridge almost invisible in daylight.
This is in strong contrast to its appearance at night
建筑师选择了蓝色光作为该桥的色彩.他用感性化的称呼来形容这个蓝色,吓米蓝呢,娃娃蓝,在白天我们是无法看到桥面这种颜色的,只有晚上才能看到(照明的一个目的就是夜景区别于白天的场景)
Effective and precisely directed artificial lighting bathes the bridge in white light and demonstrates the magnificence of this engineering construction.
有效精准的白色人工光投射,展现出这个机械化建筑的雄伟,7
This nightly scene is produced thanks to BEGA high power floodlights 8373 + 8374 for discharge lamps HIT/HST 400 W · 32000/47000 lumen.[
这个夜景工程中采用的灯型为 BEGA大功率泛光灯8373和8374,安装了HIT/HST气体放电灯,功率为400W,光通量为32000LM和47000LM.|

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Forth Bridge - masterpiece of 19th century architectural engineering
第四大桥
19世纪建筑工程的杰作
The east coast of Scotland is interrupted by two fjord-like bays which represented natural obstacles to the construction of a railway line. Scotland东海岸由两个fjord一样的海湾所构成，形成了对于铁路的一道天然屏障。
For this reason, work began in 1878 on the construction of two bridges. 因此，从1878年开始就有两座大桥开始动工。
The first bridge erected was intended to cross the Tay estuary at a location some 3.2 km wide. 第一座建立的大桥的目的在于连接宽达3.2公里的Tay河口
Just one year after completion, the 971 m long central section of the steel railway bridge collapsed during a violent storm. 完工一年后，桥主跨长971米，是一座钢架铁路桥，（不幸的事），在一场猛烈的暴风雨后坍塌鸟。
In order to ensure that the structural errors which had led to this catastrophe were not repeated, engineers Benjamin Baker and John Fowler produced an entirely new design for the second bridge over the Firth of Forth.
为了确保这种建筑上的错误导致的灾难不再发生，工程师本杰明。贝克和约翰。佛乐对于第二座桥采用了全新的设计（理念）。
The design they developed provided for a static system which consisted of a through girder spanning four fields.
他们的设想是：构建跨四区域的钢架结构来形成一个稳定的系统。
In place of the theoretic points of zero moments, the architects incorporated articulations, whereby the construction was determined statically and was thus relatively simple to calculate. 建筑师分工清晰。为了代替理论上的零距点，建筑的稳定结构被确定下来了，另外也采用了相对简单的计算方式。[
When completed the Forth Bridge broke all records in terms of length, height and quality of material used. It is still today the second longest cantilever bridge ever built.
当完工时，第四大桥打存了长度、高度和使用的建筑材料质量所有三个标准。至今它仍然是已建的第二长的悬索桥。
Operator: Railtrack Architects: John Fowler Benjamin Baker Light planners: Ross de Alessi Lighting Design,$Seattle, WA, USA Execution: Electrothermal, a devision of Rigblast Photos: Douglas A. Salin

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The light concept of the American light planner Ross de Alessi is to emphasise all the essential elements of the construction.
国照明策划者的照明理念就是强调这个建筑的所有关键元素。
This required versatile floodlights from a series with a large number of diverse light outputs, dimensions and light distribution
这就需要采用有多面手特性的泛光照明，因为它们具有变化多样的光通量、尺寸和光线分布的说。
In order to restore the historic red colour of the Forth Bridge correctly, Alessi fitted these floodlights with sodium vapour lamps. The luminaires are equipped with shields to prevent glare to the train drivers.
为了准确到位地表达第四大桥这富有历史感的红色，这些灯具中采用的是钠灯光源。灯具安装了防眩罩来避免对于火车司机的眩光影响的说。灯具满足了人们的极高要求。
Our luminaires too are subjected daily to very high demands.KfJ
Apart from extreme wind forces, their sound construction and meticulous corrosion protection weather the rough Scottish sea climate.
灯具除了要有极强的抗风能力，它们还要有良好的结构、对于苏格兰海洋天气而言，它们还具备了精细的耐防蚀能力。
During the day, they harmonize well with the appearance of the bridge thanks to their good, functional design and special finish in Forth Bridge red. At night, they are a perfect instrument of light design. Efficient and versatile, the 1040 floodlights reliably fulfil their purpose every night.[
如今，良好的功能性灯光设计和第四大桥的独有的红色相得益彰，在夜幕中完美地表现出建筑的外观。完美的设计。有效多变，1040套泛光灯稳定地完成了它们的夜间使命。

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Guggenheim Museum Bilbao
Since its establishment in 1937, the Salomon R. Guggenheim Foundation in New York has been deemed one of the most important private art collections in the world.
自1937年它竣工那天起，坐落于纽约的Salomon R. Guggenheim就被视为世界上众多重要私有艺术展品的存放地之一。
Since its establishment in 1937, the Salomon R. Guggenheim Foundation in New York has been deemed one of the most important private art collections in the world.
自1937年它竣工那天起，坐落于纽约的Salomon R. Guggenheim就被视为世界上众多重要私有艺术展品的存放地之一。
由建筑师所选的材料的目的就在于体现出建筑的粗放大气、外露的造型。
Large parts of the façade comprise shining titanium elements, giving the building a futuristic appearance in combination with the freely formed outer surface. The interior of the museum houses diverse collections of modern and contemporary art on three floors. 11,000 m² of the total 24,000 m² serve as exhibition area.
建筑立面的大部分涂有钛（有钱），使建筑带有未来感的外观同时也配合了极具自由度的外表面。博物馆的室内房间分为三层，存放着各式各样的现代和近代的艺术品。24000平方米的室内空间中有11000平方米是做为展示区。
An impressive 50 m high atrium flooded with light forms the central exit and point of orientation for visitors.
令人印象深刻的是50米高的中庭，通过泛光照明方式开成了游客的视觉中心。
The largest of the exhibition rooms is the 130 m long east wing which in form resembles the hull of a ship.
极大的展示房间中有一个长度130米的东方船翼象征着一艘船的船体。
Architect: Frank O. Gehry, Santa Monica Light planning: LAM Partner Inc., Boston Electrical Installation: ELECNOR Y ELDU

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该馆的入口泛光照明理念图
Flooding Light
The sensational architecture realized by Frank O. Gehry in creating the Guggenheim Museum in its prominent location in the city of Bilbao would be incomplete if it disappeared into darkness at night. The shining titanium façades and their diverse potential in reflecting light make illumination an absolute "must".
这个博物馆在Bilbao市处于市中心，如果夜间不进行照明实在有点可惜的说。同时闪亮的钛涂层表面和产生分乱的反射光必须值得考虑如何处理。
BEGA manufactures exemplary products for illumination tasks of this kind - luminaires whose functions can be formally incorporated in architecture and used to serve its requirements.
这里厂家通过模拟式的方法生产出了一种满足建筑材质属性的灯具。
The photo on the left is an example: to illuminate the surfaces in the entrance area, the light planner chose BEGA floodlights 9575 and 9480. These floodlights are designed for tungsten halogen lamps. They operate exceptionally well wherever widespread uniform illumination is required in combination with very good colour rendering.
图中显示的是入口区域表面的照明方式。灯具中采用的光源素卤钨灯。通过灯具反射器的完美扩散展现出要达到的均匀照明效果，同时也具有了极佳的显色性。

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该馆的定位照明理念图
Location lighting
]Museums are also a popular focus of interest in urban life.
博物馆是城市生活中大众焦点。游客和行人都能发现他们（对于建筑）的各自喜爱之处。
Visitors and strollers have to find their way around. Every architect devotes great attention to the correct guidance and orientation of the public through the architecture of a building. The orientation function of architecture must be supported at night by exemplary location lighting.
每个建筑师将重心放到了准确的指引性和在众多公共建筑中的中心性。在夜间，建筑的环境视觉中心功能可以在夜景用灯光来进行支持。
The BEGA product range includes location luminaires which allow the architect to solve any lighting task adequately in terms of lighting technology, shape, material and surface.
这时就需要能处理各种照明任务要求的灯具，从照明科技、外型、材料和表面来进行设计。
The BEGA location luminaires 2082 + 2083 used at the Guggenheim Museum in Bilbao also harmonize during the day with Frank O. Gehry's architecture in an exemplary manner

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灯光与型的表现(该馆的交通照明示意图)
Classics in shape + light
The light planner chose BEGA pole-top luminaires 9416 for discharge lamps HME 260 W with wall arm 306 to illuminate traffic areas. The shape and construction principle of these luminaires are fascinating for their simplicity and logic.
These luminaires have been built by BEGA for over 30 years. They were the first pole-top luminaires and wall luminaires to be manufactured entirely of die cast aluminium. They are exemplary in their light output, maintenance and economic efficiency.
传统的灯具，与建筑的风格协调的简约外表。能满足光通量输出、维护和经济效率的一款已经开发并投入实际工程中的长达三十年的灯具。

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Into the next century
The station for the French high-speed TGV in Lyon-Satolas is a magnificent technical achievement and - apart from the construction of the Channel Tunnel and the "Great Library" in Paris - was the third largest building site during recent years in France.
With its opening in June 1994, the first multimodal traffic platform was inaugurated. It combines air, rail and road connections with a worldwide communication network.
Thanks to its functional concept, the TGV Satolas station is considered to be the pioneer of its kind for the 21st century. The bold steel, glass and concrete architecture was created by the engineer and architect Santiago Calatrava.
The most impressive building here is the station hall
A structure of breathtaking lightness, despite its size. With this design Calatrava broke away totally from traditional ideas for a station hall. He created a strongly expressive work of art which is comparable in design to a bird making ready to take flight. A symbol of longing for afar..]
Architect: Santiago Calatrava  
Engeneering consultants: SERETE, Lyon Light planning: Alain Guiholt, Architecture Lumière
Guy Marchi, Le Mat, Lyon Photos: Ralf Richter, Architekturfoto

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Directed Light
The footbridge from the station to the parking areas - a steel construction - is illuminated by BEGA wall luminaires 2479 The luminaires are mounted on both sides to steel supports at a height of 3 m, and direct their light downwards onto the traffic area. These luminaires are of highly robust construction in protection class IP 55. They are designed for discharge lamps HME 80/125 W, and made of die cast aluminium and stainless steel. The safety glass has an optical texture, the reflector is made of pure anodized aluminium.

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The Reichstag Berlin
The seat of the German government was relocated from Bonn back to Berlin in April 1999.:
The Reichstag building, as seat of the German Bundestag the most important government building, was inaugurated after redesign and renovation.
It was built 115 years ago by architect Paul Wallot. It history was eventful and lastly it also formed the object of wrapping artists Christo and Jeanne Claude.q
After a great international competition among architects, the task of its reconstruction was assigned to the architectural office of Foster and Partners, London.
In many areas, it was a completely new construction - both inside and outside.?%LyR
From the exterior, only the new glass dome, which rises some 23 m high above the roof of the Reichstag building, is evidence of the complete renovation of this architectural monument.
In many areas, it was a completely new construction - both inside and outside.?%LyR
From the exterior, only the new glass dome, which rises some 23 m high above the roof of the Reichstag building, is evidence of the complete renovation of this architectural monument.

A large part of the new architecture and advanced technology is hidden within the interior of the historic walls.
Architect: Sir Norman Foster and Partners, London Technical light planning: Claude Engle, Washington Planning office: Amstein + Walthert, Zürich Electrical installation: EAB, Weimar

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The west side
The main entrance to the Reichstag is located on the west side of the building. It is so strongly structured that floodlighting from the ground was unsuitable.rcE[
The advantage of this structure, however, was that almost invisible openings, in which it was possible to insert our floodlights completely, could be incorporated into vertical walling.n
Equipment where the direction of light is adjustable, allowing great uniformity of the illuminated surface despite the limited distance. This meant an average illuminance of 30 lux and uniformity g1 = 0.2 could be achieved.GpaF
Six wide beam BEGA floodlights 8591 are installed in the walls of the ramp. A special design for two metal halide discharge lamps each HIT DE 150 W · 27 000 lumen. Due to the colour temperature required, the standard version for 400 W had to be reconstructed with a special reflector for two lamps of lower power.
Protection class IP 65, die cast aluminium and stainless steel. The gable and the inscription over the main entrance are floodlit by two very narrow beam BEGA floodlights 7405 from a distance of some 20 m.;
Special design with a metal halide discharge lamp HIT 150 W · 14 000 lumen..U
Protection class IP 65, die cast aluminium and stainless steel.

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The east side
For the large free space on the east side of the building, the architecture requires not only a floodlight from an extremely low mounting height but also light from just a few locations. At the same time, everything should be almost invisible by day.
For this reason, BEGA in-ground floodlights 8720 were used which we specially developed for this project. These floodlights made it possible to fully illuminate the façade from just two locations each of 4 m² with 13 floodlights each to the lower edge of the frieze.
As this lower limit of the light distribution is straight, it was possible to avoid the light cone which is inevitably created by conventional equipment

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The north side + south side
The structures of the north side and south side of the Reichstag building are to a great extent identical. The lighting problem was similar to that of the east side. However, it was possible to arrange the floodlights in a narrow strip running along the ground parallel to the façade. For this task, we developed the BEGA floodlight 8614 where the lamp and optical system are just above the earth's surface. The construction height is 50 mm. This floodlight is able to cover the entire height of the façade from base to frieze, despite a distance of approx. 20 m.~
The lower limit of the light distribution is straight, the otherwise inevitable light cone does not occur. This special construction was fitted with a metal halide discharge lamp 150 W · 14 000 lumen.6hw[3,
Eight groups of three in-ground floodlights illuminate each side with 2040 W · 168 000 lumen.~

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PortalsE
The large distance between the walls of the 20 m wide stairway of the main entrance made it necessary to produce a special design for six recessed wall luminaires. For one metal halide discharge lamp HIT 35 W · 3400 lumen, symmetrical light distribution, ring louvres, optical safety glass.
The portals on the east side are illuminated by BEGA recessed wall luminaires 2942 with 1 fluorescent lamp TC-D 18 W · 1200 lumen. They are equipped for uniform light distribution with white coated safety glass. Mounting heights about 0.5 m.

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The roof terrace
To illuminate the large roof terrace of the Reichstag building, the only possible concept was to provide light which primarily takes into account the high turnover of visitors: an entirely glarefree light from a low mounting height. Any other type of illumination would have seriously disturbed the architecture of the roof landscape - and not only by the shape and type of installation of the luminaires. Visitors to this observation platform would also have been considerably hindered by the glare effect of the lamps. The intention was for visitors to experience an impressive view of the illuminated city by standing in the dark. For this reason, 79 BEGA location luminaires 2136 were chosen for a fluorescent lamp TC 9 W · 600 lumen.
A stainless steel grid gives this luminaire an exceptionally high degree of stability which is especially important in public areas.
It also directs the light with high efficiency so that no diffuse light can emerge above the horizontal line.

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The dome - landmark in lightE
Apart from the dome, all the luminaires outside were supposed to remain as discreet as possible._
The aim was to realize an average illuminance of 25 lux and a uniformity gl = 0.2 for all four sides of the building. Greater illuminance was not required.
The dome was intended to dominate in light
This was achieved with 48 BEGA in-ground floodlights 8715 for one metal halide discharge lamp HIT-DE 70 W · 6300 lumen.
They illuminate the glass dome completely, half installed in the dome floor and half in the floor of the observation platform.
A considerable amount of light also penetrates to the outside
Additionally installed - invisible to visitors - are eight stage luminaires which direct effective, very narrow beam light to the outside. The illuminated dome really is the highlight of this very impressive building illumination.

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City of the arts and siences
Cultural assets should be freely accessible to all. And for this reason, the city of Valencia has constructed "The City of the Arts and Sciences" on its eastern outskirts.
The immense space is divided by one street into two areas which are interconnected via a common central axis. The smaller area houses The Palace of the Arts, exhibiting every type of art. The Science Museum and Planetarium are located on the other larger area. All the buildings are surrounded by water and are accessible via an axial footbridge.
The Planetarium is situated concentrically on the connecting axis between the museum complexes. It has an enclosed hemispheric dome made of reinforced concrete, and under this the circular auditorium is located. It is surrounded by an outer filigree shell which can be opened by means of a movable metal construction.
Architect:  Santiago Calatrava Consulting engeneers:  Antonio Frasquet Electrical installation:  Monocobra Electrotecnia Monrabal Photos: Ralf Richter, Architekturfoto  

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Light in water
Water covers large areas of the complex and comes directly up to the building. The surface mirrors the adjoining surroundings and one associates the buildings with islands in a sea of floating sculptures. The incident sunlight is reflected on the façades of the buildings and thus enhances the vividness of the structure by the interplay of light and shade. These impressions are intensified at night by the artificial lighting. BEGA was able to make a positive contribution here with luminaires specially designed for lighting in water and for lighting emerging from water. For example, water surfaces are illuminated from the waterside and the building perimeters by BEGA in-ground floodlights 8925 for two tungsten halogen lamps 100 W · 12 V. The movable outer shell is illuminated from the water by BEGA underwater floodlights 8510 for one reflector lamp PAR 55 12V · 300W.

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Light from the ground
Visitors to this complex are guided over footbridges which connect the buildings with each other by an axis. Some areas of these footbridges are under water and covered with glass. The water surfaces under the walk-over glass plates are illuminated. They give a soft, uniform light with low luminance and produce an atmospheric scenario. Here too BEGA underwater floodlights assist in realizing this unequivocally interesting lighting concept. BEGA in-ground floodlights are installed in the paved areas and fulfil their purpose discreetly. These luminaires are part of a wide-ranging programme of drive-over floodlights and location luminaires for in-ground installation. They are designed for pressure loads of 1000 - 5000 kg and luminous fluxes of 250 - 15 000 lumen.